A Few Seconds That Stole the Room

Format

Text Parameterized

Inputs

person_reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

four_panel_editorial_image (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Editorial: Narrative Editorial — A Few Seconds That Stole the Room.

Film/Capture:
Create ONE horizontal 16:9 photorealistic quadriptych: exactly FOUR equal-width panels in ONE row, LEFT TO RIGHT, separated by three thin dark seams, with no outer border or labels. Show four successive moments of ONE adult woman in the SAME pub, edited into one image, not a shared panorama. Use a frozen-motion strobe aesthetic, with no translucent overlays.

Use digital capture graded to evoke Kodak Vision3 500T: warm interiors separated from cool practicals, restrained saturation, fine organic grain, moderate contrast, readable shadows, and smooth highlights. Keep the grading consistent throughout. Do not imply physical film. No red halation, global bloom, HDR, or sharpening.

Reference Identity:
PERSON-REFERENCE IMAGE MODE. Use the designated adult woman’s person-reference image as the sole facial identity source for all FOUR appearances. Preserve recognizable facial anatomy, underlying skin tone, apparent adult age, natural asymmetry, and distinctive identity cues without redesign or idealization. Preserve visible proportions or use plausible adult anatomy. Background classmates are independently generated adults with distinct faces, never copies of her.

Hair:
TARGET-HAIR FULL REPLACEMENT MODE. Replace conflicting reference hair with one consistent target: soft-black, predominantly straight hair that reaches mid-back when released, with natural root volume, a soft center part when loose, no cut bangs, long side sections, and fine flyaways. In panels ONE and TWO, the entire length is tightly coiled into a slightly untidy high crown bun secured with ONE black elastic, with the nape exposed. In panel THREE, the bun unwinds; slight bends from tying remain, long sections fall beside the ears, over the shoulders, and down the back. In panel FOUR, the hair settles around the face, shoulders, and chest, with ends at mid-back. Keep length and color constant. Exclude source length, fringe, color, curl, or tied structure only where they conflict with these targets.

Environment and Continuity:
Set the scene at an autumn university festival afterparty at night inside a large Korean pub. Dark wooden department tables flank a central aisle, with adult classmates, green bottles, glasses, plates, and napkins. Windows are closed; the air is still; there is no daylight. She stays at the same aisle position. The nearest table is HER right, CAMERA LEFT.

Preserve the architecture, tables, and recurring guests. A seated guest beyond each shoulder remains readable in tighter framing. Use moderate background softness; no foreground object may cover her face or hands.

Wardrobe and Surface:
Keep the same oversized midnight-navy varsity jacket: medium-heavy wool-blend body, dark sleeves, ribbed standing collar and cuffs, silver press studs, and a small non-lettered gear patch. She wears the same opaque ivory fitted square-neck short-sleeved cotton T-shirt, dark straight jeans, and white canvas sneakers.

The jacket progressively opens and slips below the shoulders, supported on the upper arms and bent elbows; arms stay inside the sleeves. Preserve weighted folds and contact shadows.

Her face remains bare and unchanged: natural brows and lashes, unpainted lips, no eyeliner, blush, contour, or glitter. Preserve natural skin variation with restrained retouching and no anatomical beautification.

Camera:
Use a full-frame camera, approximately 50mm, f/5.6, on a frontal aisle axis, near-level and slightly below eye height. Reframe through camera distance, with no close wide-angle distortion. Center her in each panel and leave 8–10% clearance above the highest hair or hand. Keep the face and active hands readable, and contain all actions within their panels.

PANEL ONE — Preparation:
Full shot: frame from above the bun through both sneaker soles, with visible floor contact. Her feet are comfortably apart, weight mainly on the left leg, knees relaxed. Shoulders are slightly inward, chin lowered, gaze directed at the floor ahead. Hands are low near the fastened jacket hem.

Thick black rectangular glasses sit correctly on her nose and ears. Her hair is in a tight, untidy bun; the boxy jacket is fully closed. Brows are relaxed, lips lightly pressed with a self-conscious hint of a smile, jaw released.

Classmates continue conversations with each other, barely noticing her.

Dim overhead fluorescent fixtures about a meter above her head cast ordinary neutral-to-cool light over her, nearby tables, and the floor. Use soft chin and collar shadows. Colored event lights are dim; there is no personal spotlight.

PANEL TWO — Release:
Knee shot: frame from above the bun to just below the knees. She has a slight standing knee bend and forward lean, pelvis above knees, feet grounded; this is not a seated squat. Her chin begins rising.

HER RIGHT hand lifts the removed glasses beside and clear of her right temple. Her thumb and index finger hold one temple arm near the hinge; the frame is fully visible. HER LEFT thumb and index finger separate the jacket placket at a press stud. The top three studs are already open and the next is releasing, exposing the upper ivory T-shirt. The bun remains intact.

Her eyes are unobstructed and look forward, lids softly open, lips easing apart.

One recurring guest turns toward her with a questioning look; the other pauses conversation.

A blue-purple event fixture on the front wall, CAMERA LEFT and above eye level, switches on. Its spill touches her camera-left cheek, glasses, raised hand, and jacket, as well as nearby glassware and table surfaces. Fluorescent ambient light persists.

Between panels TWO and THREE, she puts the glasses on the nearest table to her anatomical right and opens the remaining jacket studs. The glasses stay on that table whenever its surface appears later; they are never duplicated or worn again.

PANEL THREE — Awakening:
Bust shot: frame from above raised hands to lower chest. Elbows angle forward inside the panel. HER LEFT hand supports the loosening coil behind the crown; HER RIGHT hand has pulled the elastic clear and slipped it onto her right wrist.

The bun is unwinding. A few long sections sweep briefly outward from movement while most hair falls downward over the shoulders and behind the neck. Keep the face readable; no windstorm or suspended horizontal hair halo.

The fully open jacket slides below shoulder level, supported on the upper arms and elbows; the collar folds behind the upper arms with visible weight and compression. The T-shirt stays secure.

Her upper torso straightens, chin gently rises, and gaze turns toward the camera through falling strands. Brows are relaxed, lips form an emerging smile, cheeks slightly lifted.

Recurring guests stare with widened eyes and parted lips, turning toward the aisle.

Blue-purple front-left spill continues. A high warm rear practical on the far wall toward CAMERA RIGHT brightens, catching only exposed hair strands and the corresponding rear jacket edge. Occluded strands remain dark; do not create a uniform body outline.

PANEL FOUR — Completion:
Waist shot: frame from above the loose hair to just below the natural waist, including the active right hand and relaxed left hand. She has an upright posture and open shoulders. HER RIGHT hand finishes sweeping hair back beside the right temple; fingertips contact the hair without crossing the eye. The black elastic remains on her right wrist. Her left arm bends near the waist, supporting the jacket’s weight at the elbow.

Hair settles around the face, over the shoulders and chest. The jacket stays open below both shoulders, sleeves around the arms; the ivory square neckline and collarbones are visible without changing the shirt.

She makes direct eye contact, with attentive naturally open lids, relaxed brows, a level-to-slightly-raised chin, lifted cheeks, and a confident warm smile with a subtle glimpse of teeth.

A few classmates show delighted open mouths and raised brows; one begins applauding below the protagonist’s face level. Others smile and watch.

A ceiling event spotlight, roughly 1.5 meters above and 0.8 meters in front of her, aimed downward from slightly CAMERA LEFT, reaches full brightness. Its moderately softened warm-neutral beam lights her eyes, upper cheeks, forehead, neckline, and raised hand. Chin and jacket-fold shadows remain. The same light pool reaches the floor and adjacent table edges. Preserve skin and ivory fabric detail; catchlights follow the elevated front fixture, never decorative stars.

Essential Direction:
Show four sequential panels, with one protagonist per panel. Maintain the same recognizable facial identity from the designated reference throughout. Use valid hands, supported draping, coherent perspective, and coherent reflections. Do not add stages or duplicate limbs.

Watermark:
Place ONE exact “${watermark:ⓒyulim_mood}” at bottom center of the entire composition, not per panel. Use white elegant calligraphic italic lettering, medium signature size about twice a small treatment, with a safe bottom margin. Every character and underscore must be readable. No outline, shadow, glow, box, or plaque.

Avoid:
Wrong panel count, two-row grid, merged panorama, different protagonist faces, protagonist-faced background guests, makeup appearing, changing neckline, disappearing sleeves, floating jacket, duplicated glasses, fused or extra fingers, unstable hair length, hair fused into skin or fabric, plastic skin, clipped highlights, featureless white shirt, CGI, HDR, global bloom, over-sharpening, captions, and unintended lettering.