Autumn Rush: Hanger-Stream Fashion Transformation Video

Format

Text Parameterized

Inputs

reference_image (image) · Required

Outputs

fashion_campaign_video (video)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Create a 30-second live-action fashion campaign with explicit multi-cut editing.

[REFERENCE IMAGE]
Use ${reference-image}, which shows the same adult woman from multiple views. Use the right-side facial close-up for identity and the full body for proportions. Preserve her face, adult age, skin tone, body, and pink hair color. Change her hairstyle only as specified below. Exclude the reference outfit, pose, white background, cropped head, borders, and sheet layout.

[PRIORITY: SUBJECT AND CAMERA]
Show the woman approaching the camera, with her face and outfit clearly readable. Exactly one person exists: the central woman. Use only frontal and shallow front-three-quarter views. Keep every camera position in front of her shoulder line. No rear views, over-the-back shots, full side profiles, or rearward orbits.

Base shot: frontal, full-body backward tracking. The camera stays ahead of her, facing her, and moves backward at her walking speed. She approaches the lens and never walks away from it. Keep her head, hands, and shoes inside the frame, with both garment streams visible at the sides. Use natural perspective and moderate depth of field. Use full-body frontal reveals, shallow front-three-quarter angles within 25 degrees of frontal, and frontal medium shots for expression and hair. One camera move per shot. Match her walking stride across cuts. Allow only brief downward glances toward contact targets; return her gaze to the lens for each reveal.

[WORLD AND GARMENT STREAMS]
Set the scene on a wet urban runway at night. She walks forward down the central path toward the lens, meeting the camera with a relaxed, confident gaze. Two parallel streams of individually spaced garments pass within natural fingertip reach. Her LEFT / screen RIGHT stream travels from behind her toward and past the camera. Her RIGHT / screen LEFT stream travels from the camera side past her toward the distance behind her. Maintain these physical directions in every shot.

Every passing item is exactly one empty top, coat, cardigan, or dress suspended from one clearly visible thin hanger. Fabric hangs naturally under gravity. Neck and sleeve openings are hollow; dress hems open onto empty air. Do not show arranged head-to-toe outfits in the streams, shoes or boots in the streams, or skin, heads, torsos, hands, legs, feet, or mannequins inside or beneath garments.

The streams move rapidly along the walkway, not across it. Successive hangers approach, pass her shoulder plane, and exit, with strong near-to-far parallax and long directional fabric blur. Keep the woman's face and body sharp. Keep the central path open.

[CONTACT AND TRANSFORMATION]
Only the selected garment slows within reach; all other garments keep rushing. Show her fingertip contacting the fabric first. Leaves burst from that exact point, followed by a short fabric wipe that replaces only the woman's outfit and the hairstyle specified for that look. The selected garment remains empty on its hanger and resumes its original direction; it never becomes another woman.

Completely replace her previous clothes, footwear, and accessories. Change the architecture inside the wipe while preserving walkway geometry and stream spacing. Clearly reveal each completed look.

[CAMERA, COLOR, AND LIGHT]
Use cool shadows, warm autumn accents, and neutral soft face lighting. Preserve her skin and pink hair color. Match fabric texture, contact shadows, and reflections to each environment.

[TIMELINE]
0–4 seconds:
Begin with frontal full-body backward tracking; her face is visible from the first frame. She wears a black satin slip dress and black ankle-strap heels, with long straight pink hair and sheer bangs. Show cold LED storefronts and wet pavement. Rear architectural lights flare as the two hanger streams rush into view. Establish their opposing directions with visible approach, passing, and exit.

4–9 seconds:
Use a shallow front-three-quarter full-body view that still clearly shows her face and chest. Her left hand is screen right. At 4.5 seconds, she touches an empty burgundy knit garment on its hanger. Orange leaves burst from the contact point, followed by a short wipe. Reveal a burgundy asymmetric knit top, charcoal wide slacks, and black pointed ankle boots; change her hair to a sleek pink low ponytail with face-framing strands. Use an amber glass facade. Complete the transformation by 6 seconds.

From 6–7.5 seconds, use bullet time: freeze her, the hangers, fabric, and leaves. The camera makes a small lateral slide within the frontal zone, creating parallax while keeping her face and entire outfit visible. Do not orbit behind her. At 7.5 seconds, cut to frontal full-body backward tracking, resume motion, and show the finished look until 9 seconds.

9–15 seconds:
Use frontal full-body tracking. Her right hand, screen left, touches an empty camel coat on its hanger. Golden leaves begin at her fingertips. Reveal a camel cropped trench, ivory top, dark brown long skirt, and slim brown boots. Change her hair to a pink low chignon with bangs tucked behind her ears; no beret. Use metal panels with warm linear lights. Complete the transformation by 11 seconds and show the full-body look until 12 seconds.

Cut to a frontal medium shot for a small smile. Return to frontal full-body at 13 seconds. She continues approaching the lens with hands relaxed until 15 seconds.

15–19 seconds:
Use frontal full-body framing with both hands and targets visible. Each hand simultaneously touches one empty hanging garment on its own side. A red-leaf wipe reveals a black leather jacket, white top, red tartan pleated mini skirt, and black boots just below the knee. Change her hair to thin bangs and a pink high ponytail. Use a concrete fashion street with brief photographic light flashes. Complete the transformation by 16.5 seconds and show the full-body look until 18 seconds. Cut to frontal medium framing for a brief, slight head tilt that makes the ponytail swing in soft slow motion; keep her face visible.

19–25 seconds:
Use frontal full-body backward tracking at normal speed. Keep her on-screen size and the concrete architecture consistent.

At 19 seconds, her left hand touches a garment; use a pale yellow wipe to reveal a cream cardigan, ivory camisole, cream knit mini skirt, and cream ankle boots. Change her hair to loose, wavy pink half-up hair. Use cream display lighting.

At 21 seconds, her right hand touches a garment; use an orange wipe to reveal a mustard ribbed knit mini dress and brown boots below the knee. Use gold display lighting. Keep the half-up hairstyle unchanged.

At 23 seconds, her left hand touches a garment; use a deep red wipe to reveal a wine velvet mini slip dress, sheer black stockings, and black heeled ankle boots. Use wine display lighting. Keep the half-up hairstyle unchanged.

Finish each transformation early in its two-second slot, then show the completed look. Accelerate the empty hanger streams, with repeated rapid passes and stronger directional streaks. Keep her face, legs, and outfit sharp and unobstructed.

25–30 seconds:
She plants her final step and stops facing the camera. The camera stops tracking. Her stop triggers the finale; there is no touch. From 25–26 seconds, both streams brake and the empty garments and hangers dissolve into maple leaves. A brief outline wipe forms the final look: an open chocolate brown long wool coat, white knit top, charcoal tailored slacks, brown ankle boots, and a long draped scarf. Her long, soft-wavy pink hair is down with sheer bangs. Set the scene in a modern downtown plaza with warm architecture and a few autumn trees. Complete the look by 27 seconds.

From 27–28 seconds, show a frontal full-body reveal with both shoes visible. At 28 seconds, cut to frontal medium framing and gently push toward her face until 30 seconds. She gives a relaxed small smile and looks into the lens as leaves fall behind her face.

[AUDIO AND EXCLUSIONS]
No music or dialogue. Add wet footsteps synchronized with foot plants. Opposing directional rushing sounds accompany the hanger streams. Add a contact chime followed by a fabric-and-leaf swoosh. During bullet time, footsteps stop and rushing sound fades; normal sound returns at 7.5 seconds. For the finale, add a braking whoosh, then quiet falling leaves.

Do not include additional people, body parts attached to hanging clothes, character duplication, rear shots, air-walking, portals, subtitles, logos, watermarks, or reference-sheet artifacts.