Cinematic Product Ad: Impact, Slow Motion, and Hero Can Reveal

Format

Text

Inputs

Subject_reference_image (image) · Required Sunglasses_reference_image (image) · Required Can_reference_image (image) · Required

Outputs

Generated_video (video)

Create a single continuous 11-second cinematic shot with no cuts. Show a sunlit European city street on a summer afternoon, with pastel neoclassical façades, a wide empty road on the left, and a stone-paved sidewalk on the right. Use warm golden light, shallow depth of field, a 35mm anamorphic look, and natural film grain.

SUBJECT: The man in @img1; preserve his face and full outfit exactly.
PROP A: The sunglasses in @img2; preserve their shape, frame color, and lens tint exactly.
PROP B: The can in @img3; preserve its brand, label, and colors exactly. He holds it in his left hand.

0.0–2.0 seconds — Start at ground level, with the lens almost touching the pavement at an extreme low angle. Only his shoes and trouser hems fill the frame as he walks straight toward the lens. Dolly backward at his walking pace.

2.0–3.5 seconds — In one smooth, continuous motion, crane upward along his body while continuing to move backward, revealing his legs, torso, and then full body. Keep this in real time.

3.5–4.5 seconds — Frame him full-body from a low angle as he confidently walks toward the camera, phone at his ear, wearing the sunglasses and holding the can. Use a natural stride in real time.

4.5–5.0 seconds — A man in a beige linen blazer walks past in the opposite direction and shoulder-checks him hard. The impact happens at full speed. His head snaps sideways, the sunglasses fly off his face, and the can is knocked from his hand.

5.0–5.3 seconds — At the moment of impact, ramp the shot down into extreme slow motion.

5.3–8.0 seconds — In extreme slow motion, the sunglasses tumble through the air toward the camera, rotating slowly. Rack focus from the subject to the sunglasses as they fill the frame in close-up, sunlight catching on the lenses. Keep the subject blurred in the background, arms out and off balance.

8.0–11.0 seconds — Rack focus past the sunglasses to the can, now the hero of the frame. Its lid pops loose and liquid arcs out in suspended droplets. The can rotates slowly until its label faces the camera and is fully readable. Keep the sunglasses blurred in the foreground and the subject blurred behind. End with the can centered and the splash frozen mid-air in sunlight.

CAMERA: One continuous take with a ground-level start, smooth crane upward, backward dolly, one speed ramp at impact, and two focus racks during the slow-motion section. No cuts, transitions, or text overlays.