Close-Up Studio Portrait in Black Lace

Format

Text Parameterized

Inputs

reference_photo (image) · Required

Outputs

portrait (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Use ${reference-photo} as the appearance reference. Do not change the young woman's appearance from the photo; preserve her exact facial features and natural proportions.

Create an extremely photorealistic studio portrait in vertical 3:4 format, shot on an iPhone 17 Pro, in 8K. The young woman is seated, but the framing is so close that her seat, hips, and legs remain completely outside the frame.

EXTREMELY CLOSE CAMERA ANGLE: The camera is directly in front of her at eye level, with the lens close to her face. The frame contains only her head, the volume of her hair, her shoulders, her hands and arms, and a small portion of her upper torso. The top of her head is close to the upper edge of the frame. Her face is almost frontal, turned only very slightly to one side. She looks directly into the lens, with her lips slightly parted. She sits in a relaxed position, leaning her torso slightly forward.

Both hands are raised very close to her face in a compact pose. Her elbows are close together in front of her torso and point downward, not outward. One hand rises from below toward her chin and lips, with softly bent fingers and the index finger touching her lower lip; the other hand is slightly higher, near the opposite cheek. Her wrists are almost next to each other. With her hands, she gently presses her hair against her cheeks and temples on both sides.

She wears a thin, black, semi-sheer, fitted lace top with a high, close-fitting collar. The entire fabric consists of delicate openwork lace with a small, organic botanical pattern of fine intertwining stems, small flowers, and leaves, with skin visible between them. This is a continuous, fine lace fabric, not mesh with embroidery sewn onto it and not heavy guipure lace. The sleeves are extremely long, covering her wrists and extending almost entirely over her hands to the bases of her fingers. The sleeve edges are unfinished: the lace ends directly along its own pattern, creating beautiful, delicate openwork projections around her hands, without cuffs, hems, or straight stitching. The bottom edge of the top is also completely unfinished and shaped, ending along the natural contours of the lace pattern to form a beautiful, uneven openwork edge.

Her hair is very long and thick, with strong, airy volume at the roots, styled in a large-round-brush blowout. The voluminous front layers are pressed against her temples and cheeks by her raised hands, so the hair is slightly flattened beneath her hands, follows closely along her cheekbones, and becomes full again below her hands. Several fine strands naturally pass near her cheeks and lips. There is no comb, brush, or any other object in her hands or anywhere in the frame.

Her makeup is expressive: tanned, hydrated, radiant skin with natural texture and visible pores; strong bronzer and cheekbone contouring; dewy highlighter; long, thick cluster lashes with a pronounced fox-eye effect; elongated black cat-eye wings; and full, glossy nude-pink lips with a darker brownish-pink outline.

Behind her is a smooth, solid MILKY-WHITE wall—a light, soft, milky-white shade, not gray, not grayish milky white, and not beige—with no decorations or objects.

Use soft, neutral studio lighting, natural white balance, and natural skin tones. No yellow, golden, or warm-toned processing. The result must look like a clean, natural iPhone photograph without filters, presets, color grading, a vintage effect, HDR, retouching, bokeh, plastic-looking skin, or an AI-generated look.