Noir Corridor Aftermath: One More Step

Format

Text Parameterized

Inputs

reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

image (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Editorial: Noir Editorial — One More Step: The Aftermath.

Film and capture:
Create ONE vertical 3:4 photoreal noir action film-still-style photograph as one continuous scene. Use digital capture graded to evoke Kodak Vision3 500T: restrained saturation, visible fine organic grain, natural color separation, and smooth highlight rolloff. Use a cool green-blue practical-light influence, dirty off-white cotton, charcoal, and limited dark-red stains. Create severe local contrast through light placement and occlusion, not HDR or globally crushed blacks. Preserve texture on illuminated skin, cotton, and metal. Do not claim physical film, use aggressive sharpening, or apply global bloom.

Reference identity:
Use PERSON-REFERENCE IMAGE MODE. Use the designated adult woman's reference as the sole facial identity source. Preserve actual facial feature shapes, sizes, positions, and proportions; underlying skin tone; natural asymmetry; and distinctive marks. Do not beautify, idealize, reshape, blend identities, or substitute a generic model or film actor. Apply only the requested subtle late-20s-to-early-30s adult age impression without changing facial geometry or erasing natural texture. Preserve reference-visible body proportions; otherwise use plausible anatomy without invented measurements. The reference's clothes and lighting do not define this scene. Supporting men have separate faces.

Hair:
Use TARGET-HAIR FULL REPLACEMENT MODE. Replace the reference hairstyle with a loose, unbound, soft-black shaggy medium bob: irregular small waves, frizzy volume, uneven eyebrow-length fringe, no sharply defined part, and irregular crown and side volume. Side sections extend below the jaw toward mid-neck; the back covers the nape and touches the upper shoulder line, resting against the shirt collar. No lengths fall down the chest or mid-back. The rough silhouette evokes the disheveled perm in Oldboy, not the actor's face. Remove conflicting source length, color, straightness, parting, or tied structure.
Sweat reduces the perm's volume without changing the cut. Damp irregular strands adhere to the forehead, temples, and outer cheeks; both eyes remain unobstructed. The back still covers the nape and touches the upper shoulder line.

Scene:
An exhausted adult woman walks alone toward the camera from a ruined corridor after a struggle. Adult male opponents lie or sit slumped in the distant passage, with no graphic injuries. She raises her eyes from a slightly lowered head, showing guarded resolve and emptiness, not celebration.
It is night in a windowless old building. Faded-green peeling walls, gray concrete, lower-wall tiles, graffiti, exposed pipes, and battered doors extend into depth. Small fragments and a broken fluorescent cover mark the floor. Thin localized electrical haze lingers near a damaged rear fixture; a few tiny sparks may appear only at the damaged fitting, not everywhere.
Foreground: her face, torso, right hand, and hammer. Middle distance: empty space behind her. Background: softened silhouettes of the men and the damaged corridor.

Camera and frame:
Use a 70mm full-frame equivalent lens, approximately 3m distance, f/3.2, and a camera near eye level. Frame a frontal MEDIUM SHOT from above the hair to just below the upper hips. This is not a tight bust portrait. Leave headroom and enough space at lower right to include the ENTIRE right hand and hammer head hanging beside the hip.
Focus on the eyes; both eyes, nose, lips, and jaw transition remain readable. Background softness follows optical depth, without an artificial cutout around the hair. Do not bring the hammer toward the lens or exaggerate its scale.

Wardrobe and props:
She wears an opaque off-white medium-weight cotton Oxford shirt with collar, placket, and sleeves rolled just below the elbows. The top two buttons are open, and one shirt tail is loose. Add dust, sweat-darkened folds, limited dark-red stains, and small tears along the cuffs, shoulder seam, and hidden back insertion. Preserve the opaque chest panel; show no exposed breast or open wounds.
She wears loose black tailored trousers with accumulated dusty thigh marks; rugged black thick-soled boots remain below the crop.
Her anatomical RIGHT hand securely holds ONE worn wooden-handled claw hammer beside her right hip, steel head downward. Fingers encircle the handle, the thumb closes the grip, and the wrist is aligned. Add small dark stains and wear on the steel, but no thick blood coating or dripping.
ONE knife remains lodged at mid-back slightly RIGHT of the spine. From this frontal view it is naturally hidden behind the torso. Do not show it through the chest, move it to the side, or add a second knife.

Posture and expression:
Her shoulders hang heavily and her upper torso is slightly stooped. She is caught between slow steps, not posing. Her left palm rests against the shirt over her anatomical LEFT side near the waist; fingers follow the fabric and create local compression folds. Do not twist the left arm behind her to touch the knife.
Her right elbow is near her side, with hand and hammer hanging low but inside the frame. Her head tilts slightly down while her eyes rise toward the lens. Give her heavy eyelids, reduced brow tension, tired cheeks, lips parted for breath, and a lowered jaw without a smile.
Use a thin skin tint, natural brows and lashes, faint taupe eyelid color, and muted low-shine lips. Retain skin texture, restrained sweat, a small superficial cheek abrasion, and a little dried blood at the lip edge. Do not use beauty-filter smoothing or exaggerated glossy skin.

Lighting:
The key is a working fluorescent tube BEHIND and ABOVE the woman. Its cool light crosses thin localized haze and reaches selected rear hair edges and shoulder tops, not a uniform luminous outline.
A second weak practical farther ahead of her, above CAMERA LEFT and outside the frame, supplies minimal front-side illumination. It touches a small portion of the near forehead, upper cheek, eye area, shirt collar, and adjacent wall. It does not flatten the face or become studio fill.
Most of the face and shirt remain dark. A small faint eye reflection is allowed only where the front-side practical is geometrically visible. Do not invent a ring catchlight. Metal reflects the same available fixtures; do not add a dedicated hammer spotlight.
Expose for reached skin, opaque cotton folds, and restrained rim highlights. Do not brighten only the face, neutralize color, lift shadows globally, or add bloom. Keep thin haze principally behind her and do not veil the eyes.

Anchors:
Show a depleted frontal approach, eyes lifted beneath damp shaggy hair, the right-hand hammer fully included, and the left hand compressing the shirt at the waist. Preserve reference facial identity and the target haircut. Keep the hidden back knife hidden; convey the aftermath through emotion rather than graphic wounds.

Watermark:
Add the exact text “${watermark:ⓒyulim_mood}” at bottom center, medium signature size approximately twice a small treatment, in refined white calligraphic italic with moderate opacity and a safe bottom margin. Preserve every character and underscore. No outline, shadow, glow, box, or border.

Negative constraints:
No tight bust crop cutting off the hammer, oversized foreground weapon, knife visible through torso, second knife, grotesque wounds, exposed tissue, gore, blood spray, dripping weapon, transparent shirt, exposed breast, extra fingers, broken wrist, distorted shoulder, long straight hair, tied hair, actor face substitution, beauty-filter face, uniformly glowing hair outline, bright frontal fill, lifted blacks, HDR, or CGI.