Noir Editorial: The Hand

Format

Text Parameterized

Inputs

reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

noir_editorial_photograph (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Create ONE vertical 3:4 photoreal noir film-still-style photograph showing one continuous scene. Use digital capture graded to evoke Kodak Vision3 500T: restrained saturation, fine visible organic grain, natural color separation, and smooth highlight rolloff. Use deep burgundy, velvet green, matte black, and limited amber. Create severe local contrast through lighting and occlusion while retaining texture on lit surfaces and gentle tonal information in shaded skin. Avoid globally crushed blacks, artificial HDR, aggressive sharpening, and global bloom.

REFERENCE IDENTITY: Use the provided adult woman's reference image as the sole facial identity source. Preserve her actual facial feature shapes, sizes, positions, proportions, underlying skin tone, apparent adult age, natural asymmetry, and distinctive marks. Let the reference define facial anatomy directly. Do not beautify, idealize, reshape, blend identities, or substitute a generic fashion-model face. Do not make her younger or older, erase age cues, or add age-changing wrinkles. Preserve reference-visible body proportions; otherwise use plausible anatomy without invented measurements. Reference clothes and lighting do not define this scene. Show one woman only.

HAIR: Fully replace the reference hairstyle with a polished 1990s dark-brown updo. Gather long hair completely into a firm French twist on the upper back of the head, immediately below the crown. Make a deep part on her anatomical left; raise the front section into a broad sculpted S-curve sweeping toward her anatomical right temple. Use smooth controlled volume, sleek sides tucked behind the ears, and a clean exposed nape. No loose fringe or flyaways. Enclose all hair length in the twist; no hair falls over the shoulders, chest, or back. The final silhouette has a high curved front and compact rear twist. Exclude conflicting source styling. Preserve the reference face during hair replacement.

WARDROBE AND STYLING: Dress her in a deep-burgundy silk-satin long qipao with a high stand collar and a narrow, elongated vertical teardrop keyhole immediately below the collar at the center chest. Use plain, unpatterned silk, fine seams, a stable closure, and realistic fabric weight; highlights follow the satin weave and folds. The keyhole is a small, narrow upper-chest opening, not a deep plunge toward the waist. No floral brocade or embroidery. Drape a matte-black tailored jacket with firm padded shoulders over both shoulders, with her arms outside the sleeves. Its weight rests on her shoulders and upper back; its panels hang under gravity. Do not change the dress color or neckline.

Use semimatte foundation that retains natural skin texture. Groom dark-brown brows; apply charcoal-plum semismoky eyes, long tapered black liner wings, and separated lashes. Add faint muted-plum outer-cheek blush and matte deep purple-burgundy lips within the natural lip boundary. Do not reshape or whiten her face. Give her short-to-medium softly squared nails with glossy black polish and source-consistent reflections.

SCENE AND ACTION: Show a gambling-house madam privately checking the hwatu cards in her hands. It is late night in a windowless basement with deep-green walls, dark timber, and a green velvet table. She sits upright on a low-backed chair, hips supported and shoulders relaxed. Show her complete face and updo, BOTH hands, and the physical cards together in one frame. The viewer must immediately understand that she is examining a concealed gambling hand.

Both hands hold FIVE small, rigid Korean hwatu cards at lower-sternum height, 20–25 cm below her chin. Each card is approximately 3.5 by 5.5 cm; the shallow overlapping fan is roughly palm-width overall. Only the plain red BACKS face the camera. The illustrated FRONT faces point inward toward her and remain completely hidden from the camera. Do not remove the cards. Tilt the top edges slightly toward the camera so she can inspect the inward-facing fronts from above, but keep the tilt small enough that the opaque card bodies hide every illustrated front.

The left thumb presses the lower inward faces, hidden behind the cards; the left index, middle, and ring fingers support the lower outward backs. The right thumb and index finger gently adjust the outermost card's lower corner without turning its front toward the viewer. Keep the other fingers softly curled. Show contact shadows, distinct fingers, and rigid card edges. The left hand bears the fan; the right shifts one card only a few millimeters. Keep elbows low near the torso and wrists comfortably aligned. Hands and cards stay below the collar with clear space below the chin. No cards across the mouth or eyes.

EXPRESSION: Lower her head slightly and have her look down at her inward-facing cards. Keep the full face visible and both eyes readable. Use slight inner-brow focus, relaxed cheeks and jaw, and lightly closed lips; no broad smile. She is privately calculating, not displaying her hand.

PROPS AND DEPTH: Place a low, stable clear vase at her anatomical right table corner; from the slight camera offset it appears near the lower-left foreground. Fill it with dark-plum anemones with black-purple centers and deep-burgundy carnations. Only a small partial cluster enters the lower-left corner, occupying no more than about 15% of the frame. Keep a clear gap between flowers and hands/cards; flowers must not cover her face, nails, or card fan. A narrow strip of green velvet establishes the table in the foreground. Off-frame on her left, a cigarette rests in an ashtray beside a whisky tumbler. A fine thread of smoke rises at the side, clear of her face and cards. Both hands handle cards. Keep the background nearly dark.

CAMERA AND COMPOSITION: Full-frame digital camera, 75 mm lens, approximately f/8, about 1.8–2 m away. Use a native vertical 3:4 medium portrait, framed from clear space above the full updo to just below BOTH complete hands and the entire card fan. Include shoulders, high collar, narrow chest keyhole, and upper torso. Leave 10–12% image-height headroom; place the eyes near the upper third and hands/cards near the lower third. Do not crop hair, face, fingertips, or wrists. Position the camera nearly frontal with only a slight offset toward her anatomical right, approximately at eye level and gently directed downward. Stay on the OUTWARD RED-BACK side of the card fan; do not use an over-shoulder or overhead view that reveals fronts. Face and visible card backs are simultaneous priorities. Keep cards naturally small relative to the face. Keep eyes and hand-card contact sufficiently sharp; flowers are gently softer. Avoid extreme shallow focus and close-range wide-angle distortion.

LIGHTING: A small flagged tungsten light on her anatomical right, 0.7 m above eye level and roughly 1.2 m away, grazes the nearer temple, cheek, hands, red backs, and satin ridges. Keep the opposite cheek darker but readable. A flagged top spotlight 1.4 m above the table connects upper-hair highlights with a limited warm pool on the velvet. The gentle downward head angle must not bury both eyes in shadow. A weak rear source behind her anatomical left touches a short hair edge and selected smoke, not the whole silhouette. Use no frontal beauty fill or prominent glowing lamps. Catchlights must match actual sources. Retain natural skin texture without separately whitening the face. Card backs have restrained material reflections; no reflection reveals their hidden fronts. Satin reflects narrowly, the matte jacket stays subdued, and glass catches thin highlights. Smoke remains translucent and clear of face and cards.

ESSENTIAL ANCHORS: Keep the complete reference face and fixed S-curve updo visible. Both hands hold a clearly visible small fan of plain red-backed hwatu cards below her face. She sees the illustrated fronts; the camera sees ONLY the opaque red backs. Keep flowers small and peripheral. No face crop, hidden hands, missing cards, illustrated fronts, transparent cards, oversized poker cards, or flowers blocking the action.

WATERMARK: Add the exact text "${watermark:ⓒyulim_mood}" at bottom center as a fixed graphic overlay, medium signature size (approximately twice a small watermark), with a safe bottom margin. Use clean white at moderate opacity and elegant calligraphic italic lettering with thin hairlines, thicker downstrokes, connected lowercase letters, and a pronounced rightward slant. Preserve the copyright symbol and underscore. No outline, shadow, glow, embossing, box, or plaque.

AVOID: Beauty-filter skin, waxy smoothing, artificial wet skin, facial redesign, age alteration, extra people, malformed hands, fused or extra fingers, interpenetrating props, floating objects, inconsistent perspective, source hairstyle conflicting with the specified updo, hair fused into clothing, clipped highlights, or artificial luminous outlines.