Category
Design & Image

Photograph and Line-Art Second-World Poster

Create a 3:4 vertical poster that preserves the supplied photograph in its upper half and continues one of its visual structures into a minimalist, hand-drawn scene on warm ivory paper below.

By Threads — Published on — Modified on

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Prompt template

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Format
Markdown
Inputs
SourceImage (image) · Required SpecificStructure (text) · Required Metaphor (text) · Required PhysicalAction (text) · Required HandwrittenNote (text) · Required
Outputs
Poster (image)
Use the supplied image as the source to create a 3:4 vertical “second world” photographic reinterpretation poster.

## Composition
Divide the image horizontally into two equal halves with a straight line through the exact center.

The upper 50% must preserve the supplied source photograph completely. Do not redraw it, change its style, add illustration or filters, or alter its colors, lighting, subject, or composition. Only minimal cropping or simple, natural background extension is allowed to fit the 3:4 canvas.

The lower 50% must be filled with a flat, warm ivory paper background (#F5F0E6): creamy in color, not yellowed or aged, and without a cardboard-like texture. Leave ample negative space.

## Second-world concept
Extract a distinctive visual structure from the photograph—[具體結構]—and continue it seamlessly from the bottom edge of the upper half onto the paper, where it becomes [隱喻]. Add one minimalist, black, hand-drawn line-art figure [物理動作], physically interacting with that structure. The figure is a user of the second world, not decoration.

## Line-art rules
Use only thin, loose, slightly irregular black pen lines with a consistent stroke weight. Do not use fills, shading, cross-hatching, heavy outlines, cartoon styling, complex facial features, detailed clothing, or decorative patterns. Keep the lines sparse, expressive, and hand-drawn, like a quick observational sketch in an artist’s notebook.

## Handwritten note
Add a brief handwritten English note in lowercase cursive: “[說明文字]”. Place it in an open area of the paper, guided by negative space, movement, and visual balance. Do not fix it to a particular corner, put it in a frame, or make it a headline.

## Avoid
Do not add torn edges, damaged paper texture, a gradient blend between the photograph and paper, or a collage effect. Do not introduce objects beyond the single metaphorical structure. Avoid repeated actions, stacked concepts, motivational statements, oversized typography, and a commercial-advertising feel.

## Overall style
Combine realistic photography, warm ivory paper, and minimalist black line art. Keep the result clean, restrained, poetic, clever, and handmade, like an independent art magazine or photography book.

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