Retro TV Harvest Wages Handover

Format

Text Parameterized

Inputs

woman_reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

Wagehandoverimage (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Create ONE vertical 3:4 photorealistic image of one continuous scene, digitally captured and processed to evoke a 1990s Korean analog television variety-program frame. Use mildly faded warm brown and olive-green colors, restrained edge detail, fine electronic chroma noise, extremely faint horizontal scanlines, and slight color bleed around strong color boundaries. This is video texture, not photographic film grain. Apply it coherently while keeping faces, hand contact, and Korean captions readable. The image itself is the broadcast frame, without a television cabinet, CRT border, or screen photographed from outside. No film-stock simulation, cinematic halation, heavy VHS damage, or graphics beyond those specified below.

REFERENCE IDENTITY: Use ${woman-reference-image} as the sole source of the adult woman's facial identity. Preserve her actual facial feature shapes, sizes, positions, proportions, underlying skin tone, apparent adult age, natural asymmetry, distinctive marks, and reference-visible body proportions. Let the reference define her facial anatomy directly. Do not beautify, idealize, reshape, blend identities, substitute a generic fashion-model face, make her younger or older, erase age cues, or add age-changing wrinkles. If body proportions are not visible in the reference, use plausible anatomy without invented measurements. Reference clothing, pose, and lighting do not define this scene. Show exactly two people: the reference woman and one older adult male farm owner with a separate, unrelated face. Do not transfer the woman's identity or facial features to the man.

HAIR: Preserve the reference-visible hair color, length, natural texture, parting, and fringe. Change only the gathering arrangement: collect tieable lengths low at the nape with a small plain elastic, letting original-length ends fall behind her neck. Do not lengthen or recut her hair. The straw hat has been removed; a few crown strands are slightly flattened and temple wisps faintly damp. Keep her face unobstructed.

SCENE: At the end of an omija-harvesting workday, a television guest receives her day's wages from a kindly farm owner in a modest farmhouse courtyard. The moment feels grateful, gently emotional, and unpretentious. They stand near the edge of the open yard where sunset reaches them, outside the deep shadow beneath the eaves. A wooden resting platform and modest farmhouse wall occupy the background. Low stacks of red plastic harvest crates contain small red omija berry clusters. A straw hat and closed harvesting shears rest on the platform. No readable signs or branding.

WARDROBE AND MAKEUP: The woman wears a faded cream cotton jersey T-shirt, baggy plum-purple cotton work trousers with small pink, pale-yellow, and green flowers, light-gray sun sleeves, and a white cotton towel around her neck. Her shirt has mild work creases and natural pressure folds, not dramatic dirt or damage. Her anatomical right hand is bare; her anatomical left hand retains a white cotton work glove with tiny irregular berry stains. The removed right glove is tucked into the trouser pocket opening. Makeup: thin sheer base, natural skin texture, groomed brows, minimal brown lash-root definition, separated lashes, faint coral cheek color, and translucent coral balm. The forehead has a faint dried-sweat trace, with no fresh large droplets. The farm owner wears a simple muted olive cotton work shirt and dark practical trousers; his expression is warm and modest.

ACTION AND HAND CONTACT: The man on screen-right offers one plain white paper wage envelope horizontally at the center between them. He holds its two upper side edges, keeping his fingers on his own side of the envelope. The woman on screen-left bends forward about 10–15 degrees from the hips in a small respectful bow. Her bare anatomical right hand supports one lower corner and her gloved anatomical left hand supports the other lower edge. Her fingers curl gently under the paper while her thumbs rest lightly on its near face. Capture the handover before the man releases it. Show exactly four hands with distinct wrists and separated contact regions. The paper bends slightly under fingertip pressure. No writing, amount, banknotes, or second envelope.

EXPRESSION: The woman looks down toward the envelope with softly lifted inner brows, released jaw, and a grateful open smile. Her shoulders relax after the workday. The man looks toward her with a small friendly smile. They do not both turn toward the camera. Keep the comedy affectionate, as though this modest envelope suddenly feels very precious.

CAMERA AND COMPOSITION: Medium two-shot including both heads, torsos, all four hands, and bodies to below the hips. Use a full-frame-equivalent 50mm view from approximately 3.6m away at chest height, with depth of field comparable to f/5.6. Keep both faces and envelope readable within the focused region. The woman occupies the larger left portion; the man stands on the right in three-quarter view facing her. Put the envelope centrally at waist-to-lower-chest height, above the caption. Leave at least 14% clear headroom for top graphics. Background crates remain recognizable with progressive softness. No cropped wrists, merged hands, or background edges across facial features.

LIGHTING: The low distant sun sits behind them at camera-right, touching their right-facing hair edges, shoulders, envelope's upper edge, and selected crate rims. Broad open sky gives weaker diffuse light to front-facing cheeks and hands. Faces remain less bright than sunset-facing surfaces, without separate whitening or frontal glamour fill. Long coherent shadows stretch across courtyard and wooden platform. The white envelope has warm highlights, soft finger shadows, and a slightly darker underside, while retaining paper detail.

TOP BROADCAST GRAPHICS: At upper-left render exactly these three stacked lines:
KBS1
21(일)
09:02
At upper-right render exactly:
체험 삶의 현장
Use compact white bold Korean Gothic broadcast lettering with a thin black outline. Left block left-aligned, program title right-aligned; each inset 6% from its nearest side and 5% from the top. Keep the title on one line. These are fixed screen overlays, not scene objects. Keep them readable and separated from hair and faces. Reserve the top 14% for the graphics. Add no other dates, clocks, or channel logos.

BROADCAST CAPTION: Render exactly this single Korean caption without quotation marks:
[감격] 오늘 하루, 땀으로 번 일당!
Use bold heavy Korean Gothic type across the lower frame. Make [감격] and 땀으로 번 일당! yellow, with the remaining words white; apply thick black outlines. Fit within 7% side margins around 80–88% of image height without covering hands or envelope. Do not show a wage amount. No text beyond specified broadcast graphics and watermark.

WATERMARK: Add exactly ${watermark:ⓒyulim_mood} at bottom center, separate from the caption, with its baseline about 6% above the bottom edge. Use a medium-size refined white calligraphic italic signature with thin hairlines, thicker downstrokes, connected lowercase letters, and a rightward slant. Preserve every character and the underscore. No outline, shadow, glow, box, or plaque.

ESSENTIAL ANCHORS: Maintain the woman's recognizable reference face and original hair characteristics except for low gathering. Preserve one wage envelope, correct upper-versus-lower hand contact, bow-induced shirt folds, downward-hanging towel, supported props, and shared sunset lighting.

NEGATIVE: Identity blending, matching faces, age change in the woman, beauty-filter skin, extra people, extra hands, fused fingers, disappearing wrists, envelope through palms, multiple envelopes, visible money amount, both gloves removed, straw hat worn on head, exaggerated crying, orange skin everywhere, face-only sharpening, floating props, HDR, heavy scanlines, or collage.