Three Seconds of Romance: When Our Eyes Meet

Format

Text Parameterized

Inputs

reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

editorial_photograph (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Create ONE vertical 3:4 photoreal narrative editorial photograph centered on ONE adult woman in a coherent, crowded train scene. Capture digitally and color-grade to evoke Kodak Vision3 250D: natural color separation, low-to-moderate contrast, fine organic grain, gentle highlight rolloff, and readable shadows. Use cream white, baby pink, restrained gold, and muted blue-gray. Apply one coherent grade across the woman and carriage. Restrict weak optical bloom to the strongest glass and metal reflections. No split screen, collage, border, global halation, or artificial HDR.

REFERENCE IDENTITY: Use the designated adult woman's reference image as the sole source of facial identity. Preserve reference-visible facial features, their actual shapes, sizes, positions, and proportions; underlying skin tone; apparent age; natural asymmetry; and distinctive identity cues. Let the reference define facial anatomy directly. Do not beautify, idealize, reshape, blend identities, or substitute a generic fashion-model face. Do not make her younger or older, erase age cues, or add age-changing wrinkles. Preserve reference-visible body proportions; if only her face is visible, use plausible anatomy without inventing exact body measurements. The reference lighting and background do not define the new scene.

HAIR: Preserve the reference-visible hair length, color, texture, curl pattern, parting, fringe, tied or loose structure, volume, and outer silhouette. Allow only small, physically plausible responses to gravity and movement. Do not add hair accessories, tuck hair behind an ear, straighten the hair, or invent windblown styling.

WARDROBE: Dress her in a lightweight cream-white chiffon blouse with a small ruffled neckline, narrow bow tie, restrained puff sleeves, and neat cuffs. The bodice has an opaque lining. She properly wears a baby-pink cropped tweed jacket with a round neckline, small gold buttons, and narrow braided trim, with both arms inside its sleeves. Keep the jacket front open to reveal the blouse bow. Only a little blouse cuff extends beyond each jacket sleeve. An ivory high-waisted midi A-line skirt with subtle pleats remains below the crop. Add small pearl-drop earrings, naturally concealed wherever her reference hair covers them; a fine gold necklace partly hidden beneath the bow; and a slim gold watch on her anatomical left wrist. A small cream quilted bag hangs from a gold chain over her anatomical left shoulder, resting against the front of her left hip below the crop. A pale beige-pink employee lanyard supports a cardholder below her chest; show only naturally included portions, with indistinct printing. Do not widen the composition to display objects outside the crop.

MAKEUP AND SKIN: Use a sheer skin tint that preserves natural skin color and fine texture, with a soft satin finish. Lightly groom brows with individual hairs; use thin beige-taupe eyelid shading, a fine soft-brown lash-root line, and naturally separated lashes without exaggerated length. Sheer peach-pink blush diffuses outward from the cheeks. Transparent coral-pink lip color stays within the natural lip boundary, with small broken reflections following real lip texture. Preserve distance-appropriate pores, fine vellus hair, subtle tonal variation, and localized matte-to-satin differences.

SCENE: A clear, cool autumn weekday morning around 8 a.m. inside a packed commuter train traveling along an above-ground urban section. She stands approximately 40–60 cm from a window on her anatomical left, holding an overhead grip. A small train movement shifts a nearby passenger's shoulder, briefly opening a narrow gap through which she unexpectedly meets another passenger's eyes. The camera represents that person's viewpoint; the other person is not shown. She remains at her window-side standing position. The window is on camera-left.

CAMERA AND COMPOSITION: Full-frame camera, 65 mm lens, approximately f/2.8, around 1.2–1.4 m from the subject. Tight upper-body framing from the upper chest to above the head. Photograph at the other passenger's eye level. Place her eyes near the upper third and her face slightly left of center. Her gaze meets the lens directly. Keep both eyes, nose, lips, and jaw sufficiently readable within the facial focal plane. Soft foreground shoulders occupy the lower side edges, forming a narrow opening without covering her eyes, nose, or mouth. Retain recognizable background window-frame and rail shapes. The upper portion of her raised right arm continues naturally out through an upper side edge; her right hand and grip remain completely above the frame. Do not introduce partial fingertips at the border.

POSE AND EXPRESSION: Her torso stays angled toward the window while her head turns approximately 20 degrees toward the aisle. Avoid an exaggerated backward twist of the neck or shoulders. Her right hand continues holding the real overhead grip outside the frame, supporting her balance. Her left hand remains below the crop, lightly tightening around the bag chain. Do not bring either hand into the composition simply to display it. Her upper eyelids lift slightly, and the inner brows rise almost imperceptibly without enlarging or reshaping her eyes. The brow is not furrowed. Her lips part by a very narrow gap, with mild tension in the jaw. Capture surprise and emerging attraction just before a smile begins. Hair responds only subtly to the head turn while preserving the reference structure. The blouse ruffle, tied bow, round jacket neckline, gold button details, and tweed weave remain visible above the chest.

LIGHTING: Low morning sunlight enters through the camera-left window. The window-facing cheek, side of the nose, light-facing folds of the blouse bow, and nearby commuters' clothing share the same warm illumination. The opposite cheek and underside of the jaw remain in soft shadow, gently supported by skylight and weak pale-panel reflections. Eye reflections match the window's position and her head angle. Where commuters block the light, the resulting occlusion must affect skin, clothing, and carriage surfaces coherently. Do not draw a floating beam along the line of sight. Do not add frontal beauty lighting or identical artificial catchlights.

ESSENTIAL ANCHORS: A narrow opening between commuters' shoulders, direct eye contact with the lens, and a brief pause before smiling define the image. The raised shoulder and arm must connect plausibly to the off-frame right-hand support. Preserve the same recognizable reference face and hairstyle.

WATERMARK: Add the exact text “${watermark:ⓒyulim_mood}” at the bottom center as a fixed white graphic overlay. Use a medium-size refined calligraphic italic signature with delicate hairlines, thicker downstrokes, connected lowercase letters, and a clear rightward slant. Keep every character and the underscore readable, with a safe bottom margin. Use moderate opacity; no outline, shadow, glow, box, or plaque.

NEGATIVE: Face redesign, beauty-filter face, age alteration, identity blending, plastic skin, enlarged eyes, malformed hands or joints, extra or fused fingers, disconnected raised arm, altered hairstyle, hair fused into clothing, slipping jacket, untied blouse bow, full chiffon puff sleeves exposed outside jacket sleeves, foreground covering facial features, empty carriage, visible perfume smoke, glitter particles, artificial halo, unexplained frontal fill, global bloom, clipped skin or white fabric, CGI, oversharpening.