Woman Concealing Her Face with Banksia Roses

Format

Markdown Parameterized

Inputs

person_reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

editorial_image (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

## Editorial: Surreal Editorial — Yellow Banksia Dream

Create ONE vertical 3:4 photographic dreamcore editorial image as one continuous frame. Capture digitally and grade to evoke the heritage aesthetic of Fujifilm Pro 400H: cool pastel separation, faded butter-yellow flowers, vintage ivory, faint mint-green shadows, low midtone contrast, gently lifted blacks, smooth highlights and fine organic grain. Use softly reduced clarity and subtle vignetting. Maintain legible fingers, stems, small rosettes and lace; slight light bleed belongs primarily around the bright window-side background. Use photographic surfaces within a surreal room. Do not suggest physical film capture; exclude camcorder artifacts, HDR and aggressive sharpening.

### Reference identity
Use the designated adult woman's person-reference image as the sole facial identity source. Preserve recognizable facial identity, underlying skin tone, adult age impression, natural asymmetry and distinctive cues without redesign or idealization. Preserve body proportions visible in the reference; otherwise use plausible adult anatomy. Reference styling, pose, lighting and background do not define this scene.

Her features are deliberately obscured by hands and flowers. Retain the reference facial anatomy underneath the occlusion rather than making her faceless or distorting her features. Do not expose her eyes merely to establish identity.

### Hair
Preserve reference-visible hair length, color, texture, curl pattern, parting, fringe, tied-or-loose structure, volume and overall silhouette. Allow only natural gravity and clothing contact. Do not add a decorative hairstyle or use hair to replace the hand-and-flower gesture.

### Room and transformation
Set the scene in an uninhabited old sitting room on a late-spring overcast morning. A large window with a thin ivory curtain lies off-frame at screen-left. The room is still, softly luminous and quietly uncanny.

Behind the woman, faded wallpaper bears small yellow floral patterns. At screen-right behind her shoulder, a few printed flowers lift off the wallpaper and become dimensional banksia-rose vines. Make the transition visible: flat printed petals continue into real small clustered rosettes, slender stems and small green leaflets. Include a modest portion of worn painted molding to identify the room. The transformation belongs to the wallpaper, not her skin.

Depict banksia roses as sprays of small densely double butter-yellow flowers on slender unarmed stems, not oversized florist roses. A shallow film of still water covers the room's floor, but the floor lies entirely below this portrait crop. Do not introduce an inset, mirror view or extra bottom panel to show it.

### Dress and makeup
Dress the woman in an ivory vintage cotton-voile dress with a rounded neckline, small delicate lace collar, relaxed elbow-length puff sleeves, natural waist seam and gathered calf-length skirt. Thin opaque lining covers the bodice and skirt; sleeves and lace alone are softly translucent. The portrait shows the collar, upper bodice and portions of the puff sleeves, with believable fine weave, seams and folds. Add no jewelry or contemporary accessories.

Use restrained cinematic no-makeup styling: thin skin tint with natural texture and soft satin variation, lightly groomed brows, almost invisible beige-taupe eyelid shading, faint rose-beige cheek color and transparent rose-tinted lip balm. Keep these beneath the occlusion; only naturally visible skin portions reveal them. Use no contouring or facial reshaping.

### Hand-and-flower gesture
The woman faces the camera with lowered, relaxed shoulders and her head tilted slightly downward. She gently cups her face with BOTH hands. The backs of both hands face the camera and the palms face inward. The heel of each palm lightly touches its corresponding cheek; thumbs settle naturally beside the jaw. Fingers point upward, softly bent, with small gaps between them. Hands are not interlaced or stacked. Wrists remain anatomically aligned and forearms continue downward.

Two delicate flowering sprigs pass through the open spaces BETWEEN her fingers. A few fingers lightly support the slender stems; small clusters rest in front of and partly over the backs of her hands. Stems do not penetrate skin. The overlapping hands and yellow flower clusters collectively conceal BOTH eyes, the nose bridge and lips. Only small margins of forehead, facial sides and lower chin remain visible. No eye peers through the gaps.

The hidden expression is calm: relaxed brow, resting eyelids, gently closed lips and loose jaw. Include no distressed gripping, crying or strained fingers. Create the visual illusion that flowers bloom through the spaces in her gesture, not that plants grow out of flesh. Preserve five distinct fingers per hand with coherent joints, even when some are naturally occluded. Keep flowers, skin and stems materially separate.

### Camera and framing
Use a close-up from above the head to the upper chest, a full-frame-equivalent 85 mm lens, approximately f/5.6 and a camera distance of about 1.5 m. Use a frontal eye-level camera, natural portrait perspective and vertical 3:4 framing. Center the woman and allow approximately 12–15 percent of the image height above her hair.

Include BOTH complete hands and both wrists comfortably inside the frame. Forearms continue through the lower edge below the wrists, while most elbows remain below the crop. Focus on the hand-and-flower plane; visible hair edges, neck and collar remain coherent, while wallpaper becomes progressively softer behind her. Obscurity comes from tangible overlap rather than smeared focus. Preserve enough background structure to read the printed-to-living-flower transition. Use no fisheye face distortion.

### Window light
Place a large curtained window at screen-left, about 1.5 m from the woman, with its upper section above her head. Diffuse overcast daylight illuminates her left-facing hair surfaces, screen-left hand, nearby flower petals and left sleeve. The screen-right hand, under-chin area and opposite cloth folds remain softly shaded.

An ivory wall gives weak reflected fill, and the wet floor contributes only a very faint upward reflection to lower clothing. Petals cast small soft shadows on the fingers in the same direction as the window light. Hands touching cheeks create subtle contact shadows. Printed wallpaper and dimensional vines receive the same left-originating illumination; raised blossoms cast shallow shadows onto the wall. Do not separately whiten or brighten the face. Use no flash, added front light, uniform rim light or luminous flowers.

### Finish
Create a cozy floral memory in which the person quietly disappears behind her own gesture. Maintain reference anatomy beneath the intentional concealment. The only impossible transformation is wallpaper becoming living vines; hands, flower contacts and light remain physically coherent.

Add exactly “${watermark:ⓒyulim_mood}” at the bottom center in white elegant calligraphic italic, medium size approximately twice a tiny signature, horizontally centered with safe bottom clearance. Use no outline, shadow, glow, box or other text.

Avoid: revealed eyes or fully visible face; blank featureless face; facial melting; flowers emerging from skin; roots embedded in hands; fused or extra fingers; interlaced hands; broken wrists; severed stems; oversized single roses; flower crown; exposed flooded-floor panel; extra people; plastic skin; identity redesign; featureless ivory cloth; heavy green skin cast; harsh contrast; saturated neon yellow; global bloom; coarse video noise; fisheye anatomy; artificial HDR; CGI finish; sharpening halos.