Clockwork Fairy: Orbit

Format

Text Parameterized

Inputs

Reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

Photorealistic_live_action_image (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Editorial: Narrative Editorial — Clockwork Fairy: Orbit.

Film/Capture:
Create ONE vertical 3:4 photoreal live-action photograph of ONE adult woman. Digital capture graded to evoke Kodak Vision3 500T: restrained amber against charcoal, subtle cool separation, moderate organic grain, gentle highlight rolloff and readable shadows. One coherent exposure, perspective and optical depth. Levitation is fantastical; anatomy and materials remain photographic.

Reference Identity:
PERSON-REFERENCE IMAGE MODE. Use the designated adult woman's reference as the sole facial identity source. Preserve reference-visible facial shapes, sizes, positions, proportions, underlying skin tone, apparent age, asymmetry and distinctive marks. Let the image define facial anatomy. Do not beautify, idealize, blend identities, substitute a generic face, change age or erase age cues. Reference lighting does not constrain the scene. Preserve visible body proportions; otherwise use plausible adult anatomy.

Hair:
TARGET-HAIR PARTIAL OVERRIDE MODE. Change only length and tied structure: extend hair to mid-back and release ties. Preserve reference color, texture, parting, fringe, hairline and root volume. Loose lengths divide over shoulders, chest and back. One small brass clock-hand hairpin above one temple.

Wardrobe and Makeup:
A wingless time fairy in a FABRIC minidress. Bronze-brown silk dupioni corset-inspired bodice with stitched shaping seams, visible weave, flexible folds and opaque lining. Mid-thigh voluminous skirt of champagne organza, smoke-gray tulle and chiffon over opaque fitted lining, radial pleats and ribbon-like hems. Bronze is the cloth color, not metal.
Small brass cog charms at the waist and one small spring buckle are isolated accents. No armor, metallic coating or metal skirt. Black elbow-length mesh gloves, fine brass cuffs, tiny cog earrings, sheer black stockings with sparse below-knee wire accents, bronze-brown satin pointed-toe ankle-strap heels.
Fine chains attach to garment eyelets at shoulders, upper arms, waist and thighs. Main tethers use reinforced waist seams and a concealed textile back harness; no neck chains.
Absolutely NO WINGS, wing frames, back-mounted fans or wing-shaped ornaments.
Thin neutral satin makeup retains skin color and texture. Champagne-gold eyelid shimmer, taupe shading, fine brown lash-root liner, separated lashes, natural brows, faint rose-beige blush and dried-rose velvet lips. Makeup changes surface color and reflectance only.

Scene:
Inside a deep Gothic clock-tower shaft, the wingless time fairy drifts in a fictional gravityless time field. Two complete O-shaped thin clock gears surround her. Distant stone ribs and vertical chains recede into darkness; no nearby floor.

Gear Geometry — Highest Priority:
Exactly TWO complete, closed, thin annular clock gears, each a continuous O-shaped loop. Every ring has an uninterrupted 360-degree circumference: no missing segments, C-shapes or open arcs. Narrow brass bands, shallow plate thickness and fine external teeth; open centers without solid disks or spokes.
The gears have the SAME THREE-DIMENSIONAL CENTER POINT and similar diameters. They are NOT two nested concentric outlines in one plane. Their planes are slightly misaligned around their shared center.
Ring A tilts approximately 12 degrees around a vertical diameter; ring B tilts approximately 12 degrees in the opposite direction around a slightly diagonal diameter. This small angular difference makes their outlines cross in projection while keeping both loops nearly round and O-shaped. No lateral displacement of their centers, no extreme edge-on ellipse and no spherical gyroscope cage.
Use a small depth separation at projected crossings so the solid bands never intersect physically. Each closed loop is independently traceable, with clear front/back occlusion at crossings.
BOTH COMPLETE rings, including every tooth at top, bottom, left and right, fit comfortably inside the image. The combined assembly occupies approximately 80–84 percent of frame width, leaving visible margins. Each ring extends above the woman's head and below both shoes. She floats entirely within their openings.
No ring is a head-only halo or horizontal foot platform. No extra rings, luminous orbit trails, giant cropped arcs or thick industrial rims.

Camera and Composition:
Full-frame camera, 65mm lens, approximately f/5.6. Camera faces the assembly from the front, optical axis through its shared center. No camera roll; only the two gear planes have the specified slight angular misalignment.
Frame both complete loops and the entire woman with comfortable clearance on all sides. Never zoom until ring edges are clipped. Center her slightly below the gears' common center.
Her body inclines approximately 10 degrees while the rings remain near-frontal. A slight three-quarter torso turn and the crossing ring contours create depth. Keep the face, main tether attachments and nearby teeth readable, with progressive softness in distant architecture.

Pose and Expression:
Torso naturally lengthened, pelvis slightly turned, knees gently flexed and separately visible. Arms float a little away from her waist, elbows soft, hands low with naturally curved fingers and aligned wrists.
She looks upward toward the nearer ring's top arc: attentive eyelids, a faint gathering of inner brows, slightly parted lips and controlled jaw tension. Quiet apprehension.
Loose hair ends and free organza layers trail gently upward as she drifts slowly downward. Roots remain natural and the face stays uncovered. The fitted opaque lining holds its shape; sheer outer layers move independently. Back and shoulders have no appendages.
Some tethers are straight while others retain shallow slack. They run from reinforced garment eyelets to small stationary bearing-isolated guide eyes beside the inner ring edge, never spinning teeth. The fictional field supports her weight; chains create localized cloth gathers without distorting joints.

Lighting:
A narrow opening high at camera-left front admits a slender amber beam, several meters above and offset from the assembly. It reaches one forehead plane, cheekbone, shoulder and upper bodice, plus limited portions of both brass rings.
Teeth catch small sharp highlights. Shaded arcs stay darker but remain traceable all the way around both loops. Weak brass reflections affect only nearby cloth or skin. Silk retains visible weave and flexible folds.
Sparse dust appears within the beam. Keep the far cheek subdued and eye reflections source-consistent. No self-luminous rings, invented frontal face light or uniform outline.

Essential Anchors:
Two COMPLETE O-shaped gears entirely inside the frame; coincident centers with slight opposing plane tilts, producing crossing outlines instead of nested concentric rings; wingless floating woman entirely inside both openings. Maintain the same recognizable reference face.

Watermark:
Place exactly “${watermark:ⓒyulim_mood}” at bottom center, clean white, moderate opacity, medium calligraphic italic signature about twice a small signature, thin hairlines and thicker downstrokes. Keep all characters and underscore readable with safe bottom margin. No outline, shadow, glow, box or plaque.

General Exclusions:
Wings, face redesign, identity drift, age changes, beauty-filter skin, malformed hands, extra fingers or limbs, broken joints, chains penetrating skin, metallic dress, CGI rendering, illustration, artificial HDR, global bloom, clipped highlights, crushed blacks and excessive sharpening.

Scene Exclusions:
C-shaped gears, missing arcs, clipped teeth, coplanar concentric circles, laterally displaced centers, extreme ellipses, horizontal foot rings, head-only halos, extra gear loops, physical ring collisions.