Clockwork Fairy: Resting on Time

Format

Text Parameterized

Inputs

Reference_image (image) · Required watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

Photorealistic_live_action_image (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Editorial: Narrative Editorial — Clockwork Fairy: Resting on Time.

Film/Capture:
Create ONE vertical 3:4 photoreal live-action photograph of ONE adult woman. Digital capture graded to evoke Kodak Vision3 500T: cool predawn blue separated from restrained amber, moderate organic grain, gentle highlight rolloff, muted saturation and readable deep shadows. One coherent exposure, perspective and texture treatment.

Reference Identity:
PERSON-REFERENCE IMAGE MODE. Use the designated adult woman's reference as the sole facial identity source. Preserve her reference-visible facial shapes, sizes, positions, proportions, underlying skin tone, apparent age, natural asymmetry and distinctive marks. Let the image define facial anatomy. Do not beautify, idealize, blend identities, substitute a generic face, change age, erase age cues or add age-changing wrinkles. Reference lighting does not constrain the scene. Preserve visible body proportions; otherwise use anatomically plausible adult proportions.

Hair:
TARGET-HAIR PARTIAL OVERRIDE MODE. Change only length and tied structure: extend hair to mid-back and release ties. Preserve reference color, texture, parting, fringe, hairline and root volume. Loose lengths divide over shoulders and back. One small brass clock-hand hairpin above one temple. Hair hangs downward under gravity.

Wardrobe and Makeup:
A wingless time fairy in a FABRIC minidress. Bronze-brown silk dupioni corset-inspired bodice with stitched shaping seams, visible weave, flexible folds and opaque lining. Mid-thigh voluminous skirt of champagne organza, smoke-gray tulle and chiffon over fitted opaque lining, with radial pleats and ribbon-like hems. Bronze is the cloth color, not metal.
Small brass cog charms at the waist and one small spring buckle are isolated accents. No armor, metallic coating or metal skirt. Black elbow-length mesh gloves, fine brass cuffs, tiny cog earrings, sheer black stockings with sparse below-knee wire accents, bronze-brown satin pointed-toe ankle-strap heels.
Fine ornamental chains attach to garment eyelets. Short waist tethers connect to fixed eyelets on the clock hands and remain secondary to actual structural support. No neck chains. Absolutely NO WINGS or wing-shaped back ornaments.
Thin neutral satin makeup preserves skin color and texture. Champagne-gold eyelid shimmer, taupe shading, fine brown lash-root liner, separated lashes, natural brows, faint rose-beige blush and dried-rose velvet lips. Makeup changes surface color and reflectance only.

Composition — Clock Face Only:
The background is EXCLUSIVELY the front surface of an enormous VERTICAL wall-mounted clock. The dial fills the entire frame edge to edge and continues far outside it. No visible sky, clouds, city, landscape, tower masonry, surrounding wall, architectural border, floor or ground.
The camera faces the vertical dial squarely, looking HORIZONTALLY at axle height. Sensor parallel to the dial; no overhead view, low angle, side angle or camera roll.
The clock is not a horizontal floor, tabletop or bed. Its wall mounting is expressed by the projecting hands, vertical gravity and shadows on the dial, without showing surrounding architecture.

Monumental Scale:
The full dial diameter is roughly ten to twelve times her standing height. Only a central portion is visible. Giant ivory dial panels, broad radial seams, subtle worn engravings and a monumental brass hub establish scale. Outer circumference and most hour numerals remain outside the crop.
Keep the full woman clearly readable across the central mechanism. Do not shrink the clock to fit its complete circle behind her.

Clock Hands — Revised to 1:45:
Exactly TWO structural clock hands share one hub.
The LONGER MINUTE HAND extends horizontally LEFT toward IX, 270 degrees clockwise from XII.
The SHORTER HOUR HAND points upper-right between I and II, closer to II, 52.5 degrees clockwise from XII.
Both hands are solid three-dimensional brass beams projecting outward from the vertical dial. Show their front faces, shallow horizontal upper ledges and shadows cast backward onto the dial.
The minute-hand ledge supports her lower body; the hour-hand ledge supports the bent arm beneath her raised head. Do not swap these roles. Hand tips may extend beyond the crop.

Pose — Side-Reclining Structure, Sensual Editorial Expression:
Arrange her on her ANATOMICAL RIGHT SIDE, head toward screen-right and legs extending toward screen-left. Use a classical side-reclining structure: raised head cradled in one hand, a bent supporting elbow, a long side-lying torso and gently stacked legs.
Her right elbow rests firmly on the projecting upper ledge of the upward-right HOUR HAND near the hub. Her right forearm rises from the elbow, and her relaxed right palm supports the side of her head near the temple. Fingers follow the side of the head without hiding the eye, cheek or mouth. Keep wrist, elbow and shoulder anatomically aligned.
Her right lateral hip, outer thigh and part of the lower rib cage rest on the broad horizontal upper ledge of the leftward MINUTE HAND. This ledge provides genuine weight support. Her pelvis remains stable beside the hub; her torso bridges naturally toward the raised supporting elbow.
Extend both legs leftward along the minute hand. The lower right leg is almost straight with a softly unlocked knee. The upper left leg rests lightly above it, knee slightly flexed, ankles subtly staggered so both shoes remain distinct. No spread-leg pose.
Her left arm follows the waist curve, left hand relaxed on the upper thigh, fingers softly separated and not gripping the skirt.
Turn the upper chest slightly toward the camera, release the shoulders and lengthen the waist into a gentle side curve. Keep a natural spine and plausible torso length. The raised elbow and supported hip create a languid, sensual silhouette without an extreme backbend.
Her face turns toward the camera in a readable three-quarter view. Half-lowered eyelids, soft direct eye contact, relaxed brows, subtly parted lips, calm cheeks and released jaw create quiet sensuality and self-possession. She is awake and aware.

Gravity, Contact and Fabric:
Her body rests on projecting clock-hand ledges in front of a VERTICAL dial, never flat on the dial itself. Leave an air gap behind the body. Hair, free chiffon hems and slack chain segments fall DOWN toward the bottom of the image.
Show compression beneath the supported right elbow, lateral hip and outer thigh. The skirt lining remains opaque and in place; sheer layers drape downward from the supporting ledge. No cloth spreads across the dial like bedsheets.
Natural contact shadows make the elbow/hour-hand and hip/minute-hand supports unmistakable. Both hands, legs and shoes remain fully visible.

Camera:
Full-frame camera, 65mm lens, approximately f/5.6, sufficient distance to include her complete reclining body with safe margins. Keep the clock strictly frontal and vertical. Focus includes the face, right supporting hand and elbow, hip and nearby brass surfaces. No wide-angle facial distortion.

Lighting:
A broad cool source high at camera-left, outside the frame, simulates predawn illumination. It lights exposed face planes, shoulders, hair and upward-facing beam surfaces. Low amber lamps behind the translucent dial provide restrained warm spill on nearby cloth edges.
The beams and body cast shadows backward and slightly downward onto the vertical dial. Brass gives localized sharp reflections; silk and satin have soft directional sheen; organza transmits light where illuminated.
The face receives the declared cool light naturally; no independent beauty fill, glowing outline, face-only white balance or clipped highlights. Catchlights match the high camera-left source and any physically visible dial reflections.

Essential Anchors:
Only the enormous clock face fills the background. Vertical wall-mounted dial seen squarely from the front. Time 1:45. Right elbow supported by the hour hand, right palm cradling the head, lower body side-reclining on the minute hand. Languid sensual pose and expression, NO WINGS. Maintain the same recognizable reference face.

Watermark:
Place exactly “${watermark:ⓒyulim_mood}” at bottom center, clean white, moderate opacity, medium calligraphic italic signature about twice a small signature, thin hairlines and thicker downstrokes. Preserve all characters and underscore with safe bottom clearance. No outline, shadow, glow, box or plaque.

Avoid:
Visible scenery outside the clock, complete small clock framing her, horizontal clock floor, overhead camera, body lying flat on the dial, unsupported elbow or hips, disconnected shoulder, excessive spinal arch, hand covering facial landmarks, fused legs, extra fingers, cropped shoes, wings, metal clothing, statue skin, religious costume, face redesign, age changes, beauty-filter face, CGI rendering, illustration, artificial HDR, global bloom, crushed blacks and excessive sharpening.