Lily-of-the-Valley Hanbok Editorial: Awakening

Format

Markdown Parameterized

Inputs

Reference (image) · Required Watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

FashionEditorialPhotograph (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

## Editorial
Create ONE vertical 3:4 photoreal fashion photograph of ONE adult woman in one coherent scene. Romantic fashion editorial: “A Dance of Lily-of-the-Valley: Awakening.” Capture digitally and color-grade to evoke the heritage tonal behavior of Fujifilm Pro 400H: cool pastel separation, restrained mint-green hues, low contrast, fine organic grain, readable shadows, and gentle highlight rolloff. Use off-white, ivory, pale green, and subtle silver. Retain white-fabric and paper-fiber texture. Apply weak optical bloom only around the brightest lantern areas; no global haze or face diffusion.

## Reference identity
Use the supplied adult-woman reference image as the sole source of facial identity. Preserve reference-visible features, their actual shapes, sizes, positions, proportions, underlying skin tone, apparent age, natural asymmetry, and distinctive marks. Let the reference define facial anatomy directly. Do not beautify, idealize, reshape, blend identities, or substitute a generic fashion-model face. Do not make her younger or older, erase age cues, or add age-changing wrinkles. Preserve reference-visible body proportions; otherwise use plausible anatomy without invented measurements. Reference lighting and background do not define this scene.

## Hair and makeup
Preserve reference-visible hair length, color, texture, curl, parting, fringe, tied or loose structure, volume, and silhouette. Allow only plausible movement, gravity, and clothing contact. Secure one small downward-hanging paper lily-of-the-valley sprig above her anatomical left ear without obscuring her face or changing the hairstyle.

Apply delicate, low-saturation balletcore makeup only as surface color and finish: sheer satin base that retains natural skin texture and tonal variation; softly groomed brows; faint pink-beige eyelid shading; thin brown tightlining; individually separated lashes; transparent milk-pink blush diffused from the cheeks; and muted rose-pink satin lips that preserve their actual outline. Minute eyelid shimmer reflects only toward the light. No white face paint or structural contouring.

## Wardrobe
Dress her in a Korean hanbok: a short ivory silk-organza jeogori with discreet opaque bodice lining and narrow translucent sleeves ending at the wrists. Add pale-green collar trim and pale-green goreum ties embroidered with fine silver stems, with one small silver norigae beneath the knot. When standing, the ties end on the upper skirt. No hansam sleeve extensions.

The generous bell-shaped A-line chima has opaque white silk inside, translucent organza in the middle, and thin ivory chiffon outside. Secure the layers together at the high waist but allow them to move separately below it. Use slightly staggered, shallow scalloped hems with extremely fine silver-thread piping. Embroider long curved lily-of-the-valley stems descending from the upper skirt toward the hem, sparse above and denser below. Flowers are downward-hanging white and silver-thread bells with tiny recurved petal tips; leaves are pale green and faint teal. Place the main embroidery on the outer chiffon and sparse secondary motifs through the organza, without dense duplication. Add a few translucent organza appliques and tiny sewn pearl beads to suggest dew. Embroidery follows folds and perspective; silver and pearls reflect light rather than emit it. Plain ivory beoseon socks appear only where physically visible.

## Scene and environment
Show her discovering the first floating flower lantern and beginning to open her hand toward it, in a quiet moment before dancing. Set the scene in a cornerless hanji-paper cyclorama evoking a cool spring dawn indoors. Curved walls merge into a matte, softly reflective floor. Show layered mulberry-paper fibers and slight overlaps without hard seams. The air is clear and still; include no windows or outdoor scenery.

Include exactly four paper lily-of-the-valley lantern sprigs hovering on visually unobtrusive fine supports. Each has a slender curved stem, downward-facing bell flowers with small recurved tips, handmade folds, and warm-white internal LED diffusion. Place one camera-left above the woman, its luminous flowers about 60–80 cm above her face; place three smaller, more distant sprigs in the upper background. Keep her face and hands unobstructed.

## Camera and composition
Use a full-frame 50 mm perspective, approximately f/5.6, and enough distance for a wide full-body view. Place her in the lower central region, reserving roughly the upper 40 percent for paper space and lanterns. Position the camera below eye level and tilt it upward about 10 degrees without exaggerated near-camera distortion. Include her hair ornament, hands, entire skirt, and floor contact, with space around both hem edges and below. Keep facial landmarks and front embroidery readable at full-body scale.

## Pose and expression
She faces the camera with one foot half a step behind the other; both feet support her weight. Keep her pelvis stable and spine long; gently open the chest without a deep lumbar arch. Her anatomical left arm hangs down, with thumb and index finger lightly pinching only the outer skirt layer near her side to create a small local gathering of folds. Bend her anatomical right elbow and raise that hand to chest height, palm upward, fingers relaxed and separated. The raised hand reaches into empty air without touching a lantern. Lift her chin slightly and direct her eyes toward the close camera-left lantern. Her eyelids are gently open, brows unknitted, jaw relaxed, and lips barely parted in quiet discovery.

## Lighting and materials
The close upper-left lantern is a functioning diffused key source with enough output to illuminate the nearby cheek, upper forehead, shoulder, and raised palm. Its warm light falls off naturally across the body. A large cool diffused source behind the translucent hanji wall supplies weaker ambient illumination through the paper, reaching rear garment planes and the floor. The opposite cheek and recessed skirt folds retain pale blue-gray shadows. Eye reflections follow the actual lantern position; add no frontal beauty light or face-only white balance.

Keep the skirt in its resting bell shape, falling softly downward rather than spread by a spin. Keep front embroidery readable; only a slight ripple in the outer chiffon suggests impending movement. Preserve soft contact shadows beneath the feet and close hem. No floating feet, rigid column skirt, hand touching the lantern, or cropped hem.

## Watermark and constraints
Add exactly “${watermark:ⓒyulim_mood}” at the bottom center as a fixed white graphic overlay, medium signature size approximately twice a small treatment, with a safe bottom margin. Use refined high-contrast calligraphic italic lettering with thin hairlines, thicker downstrokes, connected lowercase letters, and a rightward slant. Preserve the copyright sign and underscore. Keep it clear of the skirt hem. No outline, shadow, glow, box, or plaque.

Maintain the same recognizable facial identity as the supplied reference. No extra people, identity blending, age changes, plastic skin, beauty-filter face, waxy smoothing, malformed hands, extra or fused fingers, unstable hair length, hair fused into clothing, clipped highlights, featureless white fabric, artificial HDR, CGI rendering, or aggressive sharpening.