Lily-of-the-Valley Hanbok Editorial: Stillness

Format

Markdown Parameterized

Inputs

Reference (image) · Required Watermark (text) · Optional · Default: ⓒyulim_mood

Outputs

FashionEditorialPhotograph (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

## Editorial
Create ONE vertical 3:4 photoreal fashion photograph of ONE adult woman in one coherent scene. Romantic fashion editorial: “A Dance of Lily-of-the-Valley: Stillness.” Capture digitally and color-grade to evoke the heritage tonal behavior of Fujifilm Pro 400H: cool pastel separation, restrained mint-green hues, low contrast, fine organic grain, readable shadows, and gentle highlight rolloff. Use off-white, ivory, pale green, and subtle silver. Retain white-fabric and paper-fiber texture. Apply weak optical bloom only around the brightest lantern areas; no global haze or face diffusion.

## Reference identity
Use the supplied adult-woman reference image as the sole source of facial identity. Preserve reference-visible features, their actual shapes, sizes, positions, proportions, underlying skin tone, apparent age, natural asymmetry, and distinctive marks. Let the reference define facial anatomy directly. Do not beautify, idealize, reshape, blend identities, or substitute a generic fashion-model face. Do not make her younger or older, erase age cues, or add age-changing wrinkles. Preserve reference-visible body proportions; otherwise use plausible anatomy without invented measurements. Reference lighting and background do not define this scene.

## Hair and makeup
Preserve reference-visible hair length, color, texture, curl, parting, fringe, tied or loose structure, volume, and silhouette. Allow only plausible movement, gravity, and clothing contact. Secure one small downward-hanging paper lily-of-the-valley sprig above her anatomical left ear without obscuring her face or changing the hairstyle.

Apply delicate, low-saturation balletcore makeup only as surface color and finish: sheer satin base that retains natural skin texture and tonal variation; softly groomed brows; faint pink-beige eyelid shading; thin brown tightlining; individually separated lashes; transparent milk-pink blush diffused from the cheeks; and muted rose-pink satin lips that preserve their actual outline. Minute eyelid shimmer reflects only toward the light. No white face paint or structural contouring.

## Wardrobe
Dress her in a Korean hanbok: a short ivory silk-organza jeogori with discreet opaque bodice lining and narrow translucent sleeves ending at the wrists. Add pale-green collar trim and pale-green goreum ties embroidered with fine silver stems, with one small silver norigae beneath the knot. When standing, the ties end on the upper skirt. No hansam sleeve extensions.

The generous bell-shaped A-line chima has opaque white silk inside, translucent organza in the middle, and thin ivory chiffon outside. Secure the layers together at the high waist but allow them to move separately below it. Use slightly staggered, shallow scalloped hems with extremely fine silver-thread piping. Embroider long curved lily-of-the-valley stems descending from the upper skirt toward the hem, sparse above and denser below. Flowers are downward-hanging white and silver-thread bells with tiny recurved petal tips; leaves are pale green and faint teal. Place the main embroidery on the outer chiffon and sparse secondary motifs through the organza, without dense duplication. Add a few translucent organza appliques and tiny sewn pearl beads to suggest dew. Embroidery follows folds and perspective; silver and pearls reflect light rather than emit it. Plain ivory beoseon socks appear only where physically visible.

## Scene and environment
After the dance, she sits quietly, following the last flower lantern with her eyes while the skirt settles around her. Set the scene in a cornerless hanji-paper studio evoking the peace of a bright spring dawn. Its curved layered-paper wall joins a matte mulberry-paper floor with visible delicate fibers. The air is clear and still.

Keep exactly five paper lily-of-the-valley lantern sprigs high overhead, with the principal cluster toward the upper left and smaller distant sprigs farther back. Each has curved stems, downward-facing bell flowers with tiny recurved tips, handmade paper folds, and dim warm-white internal LEDs. Fine supports disappear against the background. Leave the floor empty except for the seated woman and her skirt; the embroidered garment itself forms the flower field.

## Camera and composition
Use a full-frame 50 mm perspective at approximately f/8. Position the camera above her and tilt it downward about 25 degrees; do not use a vertical top-down view. Use enough distance to include her complete seated figure, hair ornament, supporting hand, and entire spread skirt, with clear margin beyond every hem edge. Place her torso slightly right of center. The skirt spreads widely toward the bottom and left in a softly irregular rounded shape; the upper-left lanterns balance the lower-right body. Focus and depth of field keep both her identifiable face and nearer embroidery readable. Show the front and side skirt surface; folds hidden behind her body remain naturally occluded.

## Pose and expression
Sit her side-saddle with both legs folded toward her anatomical left, supported primarily by her seated pelvis and folded legs. Place her anatomical right palm directly on the floor beside her right hip, with naturally separated fingers and a softly bent elbow; do not overextend the wrist. Her left hand rests lightly on the cloth over her folded knee, producing shallow compression rather than sinking through it. Lean the torso slightly toward the supporting hand, shoulders low, spine comfortably lengthened.

Turn her head toward the upper-left lantern, keeping a readable three-quarter face and only a mild chin lift. Her eyes follow that lantern, eyelids softly lowered rather than closed. Relax the brow and jaw; lips nearly meet with a faint lingering smile. Hair settles under gravity around her shoulders and neck according to the reference hairstyle; the left-ear paper sprig stays attached.

## Lighting and materials
A very large diffusion panel around 2 m away at camera-left above the seated figure supplies a soft neutral-to-cool key. Its light crosses the left cheek, hand, skirt surface, and paper floor in one coherent direction. Broad floor bounce weakly fills beneath the chin and sleeve folds. The high distant lanterns contribute only small warm accents, not implausibly strong illumination across the whole face. Weaker transmitted light behind the rear hanji wall touches a few hair and sleeve edges without creating a separate bright rim.

Keep the image high-key with smooth highlight rolloff, pale blue-gray shadows carrying a faint lavender bias, and preserved ivory fabric and paper detail. Retain contact shadows beneath the supporting palm, seated pelvis, and overlapping cloth. The matte floor softly returns light without a crisp mirror reflection.

## Skirt arrangement and physical anchors
Spread the three skirt layers from the garment’s high waist outward onto the floor in soft radial folds. Compress cloth beneath her seated weight; let the outer chiffon lie in light overlapping waves. The original waist-to-hem stem embroidery appears radial because the garment is spread; do not change the pattern into a newly painted mandala. Front and side flower motifs are visible while the torso and folds naturally conceal others. Fine silver piping follows the scalloped outer hem. The pale-green ties descend from the chest knot and rest on top of the skirt without becoming longer or reaching the floor unnaturally. No flowers grow from the fabric, no standing pose, no rigid circular skirt, and no full overhead view.

## Watermark and constraints
Add exactly “${watermark:ⓒyulim_mood}” at the bottom center as a fixed white graphic overlay, medium signature size approximately twice a small treatment, with a safe bottom margin. Use refined high-contrast calligraphic italic lettering with thin hairlines, thicker downstrokes, connected lowercase letters, and a rightward slant. Preserve the copyright sign and underscore. Keep it clear of the skirt hem. No outline, shadow, glow, box, or plaque.

Maintain the same recognizable facial identity as the supplied reference. No extra people, identity blending, age changes, plastic skin, beauty-filter face, waxy smoothing, malformed hands, extra or fused fingers, unstable hair length, hair fused into clothing, clipped highlights, featureless white fabric, artificial HDR, CGI rendering, or aggressive sharpening.