The Secret Bus of Yellow Gerberas: The Threshold

Format

Text Parameterized

Inputs

Designated_reference_image (image) · Required watermark_text (text) · Optional · Default: ⓒyulim_mood

Outputs

Cinematic_surreal_editorial_photograph (image)

Replace the ${…} placeholders with your values before using this prompt. See parameters and defaults below.

Editorial: Surreal Editorial — The Secret Bus of Yellow Gerberas: The Threshold.

Film/Capture:
Create ONE vertical 3:4 photoreal cinematic photograph of one adult woman boarding the FRONT entrance of an old city bus, in one continuous scene. Capture digitally and color-grade to evoke Kodak Vision3 500T: restrained saturation, delicate visible organic grain, soft highlight rolloff, gentle midtone contrast and deep locally readable shadows. Separate faded blue-green bus surfaces, charcoal tailoring and localized yellow gerberas. Preserve silk and dark fabric detail.

Reference Identity:
PERSON-REFERENCE IMAGE MODE. Use the designated adult woman's reference as the sole source of facial identity. Preserve the same recognizable person, her reference-visible facial features and their actual shapes, sizes, positions and proportions, underlying skin tone, apparent adult age, natural asymmetry and distinctive marks. Let the reference define facial anatomy directly. Do not beautify, idealize, reshape, blend identities or substitute a generic fashion-model face. Do not make her younger or older, erase age cues or add age-changing wrinkles. Preserve reference-visible body proportions when supplied; otherwise use realistic anatomy without invented measurements.

Hair:
REFERENCE-HAIR PRESERVE MODE. Preserve the reference-visible hair length, color, texture, curl, parting, fringe, tied or loose structure, volume and overall silhouette. Allow only natural gravity, motion and contact with clothing.

Makeup and Skin:
Thin sheer soft-satin base with natural tonal variation and skin texture appropriate to this full-body photograph. Naturally groomed brows, faint beige-taupe eyelid shading, a fine brown line between the lashes, separated lashes, softly diffused rose-beige blush and muted rose satin lips. Makeup changes surface color and finish only. Skin receives the scene's color casts and shadows.

Bus Architecture — Critical:
This is the front boarding door immediately behind the front windshield on the curb side of a conventional left-hand-drive city bus. The entrance stairwell runs transversely from the curb into the bus, perpendicular to the bus's longitudinal axis. Beyond the top step is a compact front boarding vestibule; a passenger would turn toward the rear to enter the longitudinal aisle. The entrance is NOT an end doorway opening straight onto a long aisle.

The camera looks across the entrance steps into the front vestibule, not lengthwise down the passenger cabin. Visible inside are the top landing, worn cream-colored lower panels, a modest farebox near the landing, a curved grab rail and an opaque driver-enclosure partition farther across the bus. Keep the rearward turn outside the sightline, screened by the doorway edge and the vestibule side partition. All passenger seats and the rear aisle remain outside the frame or physically occluded. Do not place passenger seats directly opposite the entrance or on the stair landing.

Scene and Environment:
A stationary old bus at a foggy late-autumn bus stop after sunset, front door fully open. The only visible person is a commuter who has stopped with one foot on the first step after discovering yellow flowers growing inside the entrance. Keep anatomy and materials photographic. Surrealism is limited to flowers growing indoors and small localized pools of unexplained yellow emission.

Layered Set:
Foreground: open folding-door edges, weathered blue-green exterior paint, black anti-slip entry steps and worn metal step nosings. Midground: the woman, vertical entrance grab pole and compact boarding landing. Background: the driver partition, farebox and front vestibule wall, softly recessed in shadow rather than a tunnel of seats. Dark soil gathers thinly along step margins, panel bases and landing corners; keep the main walking surfaces and each step edge clearly readable. Scattered yellow gerberas emerge from these soil pockets, with individual green stems, layered narrow ray florets and distinct central discs. A few detached petals drift near the doorway. Exterior fog and distant bus-stop lights appear only in the visible outer margins and glazing.

Camera and Composition:
Full-frame digital camera, 35mm lens, approximately f/4, subject distance about 2.6m. Camera on the pavement about 75cm high, looking predominantly perpendicular to the bus side through its front entrance, with a slight oblique angle showing her rear three-quarter body and readable profile. Mild upward angle, no extreme perspective. Show her entire head, both hands, both loafers and the step-to-pavement relationship. Place her near the right third, with flowers and the compact vestibule occupying the left-center opening. Leave approximately 10% frame-height clear headroom above the hair. Do not use the bus aisle as a vanishing line. Door frames, rails and farebox edges stay clear of her face. Focus on her visible facial landmarks and boarding gesture, with progressive optical softness toward the partition.

Wardrobe:
Charcoal-gray medium-weight fine-woven tailored jacket with structured lapels and visible seams, matching below-knee H-line midi skirt with a discreet rear walking vent, and a white silk blouse fully buttoned to its collar. Small pearl studs, black leather loafers and a narrow dark employee-badge lanyard. The badge is small. Keep wool matte and silk softly reflective.

Pose and Expression:
Her anatomical right foot rests flat on the first step. Her left foot stays flat on the pavement and supports most of her weight. Her right hand grips the vertical entrance pole with naturally curled fingers and an opposing thumb; keep the wrist aligned and the pole continuous through the grip. Her left arm hangs relaxed beside her body. The raised knee creates believable skirt tension and diagonal folds; the fabric retains enough ease for this first step. Her torso inclines slightly into the entrance, paused rather than walking. She looks toward the flowers on the upper landing, not toward the lens or an unseen distant aisle. Eyelids slightly open with alert curiosity, subtle tension between the brows, lips lightly closed and a quietly held jaw.

Lighting:
The main source is a long fluorescent fixture in a worn diffuser above the front vestibule, approximately 1m above her head. Its faded cyan-green light reaches her crown, upper shoulder planes, gripping hand, entrance pole, farebox top and step surfaces with coherent downward falloff. Her inward-facing profile receives only the light its angle permits; the eye socket and underside of the jaw remain darker. Weak bus-stop illumination scattered through fog affects her outward-facing jacket and the exterior paint. Selected low flower centers emit faint warm yellow light, locally warming adjacent soil, step edges, the raised loafer and lower metal rail. Keep this emission close to the flowers; it does not become a bright facial uplight. The opaque driver partition blocks light into the unseen rearward space. Reflections and any visible catchlight follow these actual sources. No added frontal beauty light, face-only white balance or automatic rim light.

Essential Direction:
Make the FRONT entrance spatially convincing: transverse steps, a compact boarding landing and driver-area partition beyond, with the rearward passenger route hidden around a turn. No visible passenger seating and no straight view down the cabin. The emotional focus is her halted step and the small impossible garden at her feet. Preserve flat sole contact, natural hand-pole contact, grounded soil, fabric weight and local contact shadows. Maintain the same recognizable facial identity from the designated reference.

Watermark:
Add the exact text "${watermark-text:ⓒyulim_mood}" as a fixed graphic overlay at the bottom center. Use a medium white calligraphic italic signature with moderate opacity, thin hairlines, thicker downstrokes, connected lowercase letters and a pronounced rightward slant. Center it precisely with a safe bottom margin; keep every character and underscore readable. No outline, shadow, glow, embossing, box or plaque.

Negative Prompt:
visible passenger seats, rows of seatbacks through the entrance, long straight aisle facing the doorway, middle-door boarding layout, rear-door boarding layout, end-entry bus architecture, seats on stair landing, floating farebox, flowers penetrating steps or hands, floating shoes, cropped head or feet, door frame crossing face, plastic skin, beauty-filter face, face redesign, identity blending, age alteration, malformed hands, fused or extra fingers, hair fused into face or clothing, unrequested hairstyle change, featureless white silk, clipped highlights, artificial HDR, CGI rendering, over-sharpening, global bloom, cutout subject, face-only exposure recovery.