Two-Part Abstract Geometric Photo Poster

Format

Text

Inputs

Uploaded_reference_photos (image) · Required

Outputs

Art_posters (image)

For each uploaded photo, generate one separate poster. Do not combine or blend the photos. Use a 3:4 portrait canvas divided into two exactly equal horizontal halves, with a clean, straight dividing line. Do not add a border, card, tape, torn paper, curled edges, or collage shadows.

In the upper half, preserve the corresponding original photo in full. Do not change the subject, people’s identities or facial features, hairstyles, clothing, poses, expressions, objects, environment, composition, proportions, perspective, materials, depth of field, natural lighting, or color relationships. Only subtle, refined color grading, exposure optimization, and natural background extension are allowed. Fill the area to the top, left, and right edges and down to the dividing line. Remove watermarks, logos, and text that is not part of the scene. Do not add unrelated elements.

In the lower half, use the same original photo as the sole reference. Thoroughly deconstruct and reconstruct its subject, contours, pose, spatial flow, environment, colors, lighting, and visual center of gravity as modern abstract geometric art. Preserve an echo of the original composition and its emotional connection, but leave no photorealistic areas. This must not look like a filter or geometric shapes laid over the photo. Draw on the spirit of Bauhaus, Swiss experimental graphic design, vintage independent art magazines, and Risograph printing.

Scale the main geometric composition down to about 30% of the usual scale, creating a refined, concentrated focal point that may shift freely according to the original photo’s visual center. Keep a rich hierarchy of large, medium, and small forms within the subject. Leave generous warm-white, off-white, or ivory paper space around it.

Strictly prohibit rectangles, squares, block collages, checkerboards, rectangular grids, and right-angled frames enclosed by lines. Use only circles, semicircles, rings, arcs, sectors, ellipses, triangles, wedges, cones, crescents, irregular curved surfaces, open contours, gaps, thin straight lines, dotted lines, curves, nodes, dots, trajectories, and negative space. Every form, direction, and detail must derive from the original photo; do not add unrelated motifs. Extract colors from the photo and build depth through variations in lightness within related hues. Avoid cheap-looking gradients, neon colors, and chaotic, oversaturated palettes.

In the lower half, add a meaningful English art title of 1–4 words related to the photo, along with a small amount of supporting English text, indexing, or numbering. Use a slender, elongated, high-contrast serif typeface in the style of Didot, Bodoni, or Didone. Use free, asymmetrical typography that may be horizontal, vertical, offset, or partly italicized; do not use a fixed template. Do not include garbled text, pseudo-English, watermarks, or commercial logos. Use a few fine lines, open arcs, dot patterns, and structural nodes to connect the subject to the surrounding negative space.

Give the paper a delicate, warm fiber texture, subtle Risograph grain, slight screen-print misregistration, and naturally irregular edges. Keep text and lines crisp. Output only one high-resolution art poster per uploaded photo.