Fluted-Glass Double-Exposure Editorial Poster

Format

Text

Inputs

Uploaded_photo (image) · Required

Outputs

Double_image_poster (image)

For each uploaded photo, create an independent, high-end double-image poster. Do not combine or mix different photos, or introduce inconsistencies between them.

Use a strictly vertical 3:4 canvas, divided into equal upper and lower halves by a clean, straight horizontal line. Do not use photo frames, cards, tape, torn paper, crimped edges, collage shadows, or decorative borders. Blend the feel of real photography, luxury advertising, experimental photography, modern optical art, minimalism, and advanced editorial design.

UPPER HALF
Preserve the corresponding original photo in full. Keep the identity, facial features, eyes, expression, hair, clothing, movement, and pose of any people or animals unchanged. Likewise, do not alter the outlines, structures, positions, materials, perspective, environment, depth of field, natural light and shadow, or color relationships of flowers, plants, buildings, landscapes, vehicles, and still-life objects. Allow only subtle color grading, exposure optimization, and natural background extension. Do not stretch, distort, replace, or add irrelevant elements to the subject.

The original photo must fill the upper half, extending to the top, left, and right edges and to the central dividing line. Preserve a realistic, finely detailed art-magazine photographic texture.

LOWER HALF
Use the same original photo as the sole visual source. Preserve the subject's identity, key structures, pose, spatial relationships, and original colors. Cover the entire lower half, from its top to the bottom and from edge to edge, with an extremely dense, fine, continuous layer of vertical fluted glass. The glass texture should be about three to five times denser than ordinary fluted glass. It should form a fine, continuous miniature optical grating with realistic variations in transparency, soft highlights, edge reflections, light transmission, and refraction. Do not make it look like striped stickers, ordinary blinds, rain glass, motion blur, or a simple digital filter.

Use the glass's fine vertical ripples to refract the subject and background into slender ribbons, creating distortion, displacement, stretching, and prism-like splitting. Do not alter the subject's physical structure incorrectly.

Automatically identify the visual center of the original photo: a person's or animal's eyes and face, the center of a flower, the structural focus of an architectural feature, the focal point of a landscape, or the key details of a still life. Keep the glass present over this central area, but make it approximately 85–95% visually transparent with weak refraction so key identifying features remain clear and legible. Increase the refraction smoothly from the center toward the surroundings, without circular, rectangular, or hard-edged mask boundaries. Around the periphery, create dense vertical bands of light at approximately 75–95% intensity, with abstract forms and light-and-shadow divisions, while preserving the original photo's overall composition and color identity.

Do not make the subject disappear, repeat, break apart, or become misaligned; do not misalign facial features or deform limbs. Derive background and refracted colors from the original photo. For low-contrast environments, use cream white, warm beige, light gray, or soft gradients.

Use soft commercial-photography lighting that emphasizes the realistic glass texture. Avoid blown-out reflections, messy neon-colored spots, and cheap-looking effects.

Add a small amount of meaningful English text, such as a title, short subtitle, or numbers. Use slender high-contrast serif fonts and small, simple sans-serif text in a free, asymmetric layout. Do not obscure the focal subject. Do not include garbled text, pseudo-English, or watermarks.